Conflamingulation

David Normal’s Crossroads of Curiosity is an epic suite of lightbox murals that extends the notion of a “cabinet of curiosity” outward from the rectilinear arrangement of objects in glass cases to encompass the world in a series of dramatic tableaux featuring provocative juxtapositions of vastly different times, places, and peoples.

Crossroads of Curiosity was installed at Burning Man 2014 and had a 5 month exhibition at the British Library in 2015. The collage-based paintings were composed exclusively from the digitized antiquarian illustration collection of the British Library. Crossroads was essential to supporting the Burning Man Festival's 2014 theme, "Carvansary", in close collaboration with Larry Harvey, and was displayed prominently at the "Man Pavilion" where the Burning Man Effigy stood.

David Normal’s Crossroads of Curiosity is an epic suite of lightbox murals that extends the notion of a “cabinet of curiosity” outward from the rectilinear arrangement of objects in glass cases to encompass the world in a series of dramatic tableaux featuring provocative juxtapositions of vastly different times, places, and peoples.

Crossroads of Curiosity was installed at Burning Man 2014 and had a 5 month exhibition at the British Library in 2015. The collage-based paintings were composed exclusively from the digitized antiquarian illustration collection of the British Library. Crossroads was essential to supporting the Burning Man Festival's 2014 theme, "Carvansary", in close collaboration with Larry Harvey, and was displayed prominently at the "Man Pavilion" where the Burning Man Effigy stood.

Conflamingulation depicts the sublimation of aggression into absurdity. The violent impulse is transformed into a harmless charade in a cavern intermediate between the Biblical (Elijah's Cave of the School of the Prophets in Jerusalem), and the Classical (the Tepidarium of the Forum Bath of Pompeii). Here within this paradigmatic interregnum, the causes, mechanisms, and consequences of war are dissolved as though they were drugs being added slyly to wine to intoxicate unknowingly the viewer of the painting.