Curioscillotropy

David Normal’s Crossroads of Curiosity is an epic suite of lightbox murals that extends the notion of a “cabinet of curiosity” outward from the rectilinear arrangement of objects in glass cases to encompass the world in a series of dramatic tableaux featuring provocative juxtapositions of vastly different times, places, and peoples.

Crossroads of Curiosity was installed at Burning Man 2014 and had a 5 month exhibition at the British Library in 2015. The collage-based paintings were composed exclusively from the digitized antiquarian illustration collection of the British Library. Crossroads was essential to supporting the Burning Man Festival's 2014 theme, "Carvansary", in close collaboration with Larry Harvey, and was displayed prominently at the "Man Pavilion" where the Burning Man Effigy stood.

David Normal’s Crossroads of Curiosity is an epic suite of lightbox murals that extends the notion of a “cabinet of curiosity” outward from the rectilinear arrangement of objects in glass cases to encompass the world in a series of dramatic tableaux featuring provocative juxtapositions of vastly different times, places, and peoples.

Crossroads of Curiosity was installed at Burning Man 2014 and had a 5 month exhibition at the British Library in 2015. The collage-based paintings were composed exclusively from the digitized antiquarian illustration collection of the British Library. Crossroads was essential to supporting the Burning Man Festival's 2014 theme, "Carvansary", in close collaboration with Larry Harvey, and was displayed prominently at the "Man Pavilion" where the Burning Man Effigy stood.

Curioscillotropy, of all the 4 Crossroads paintings, is the one that refers most clearly to the theme of 'Caravansary' (from Burning Man 2014). The painting is a Rube Goldberg like machine that plays with history. It shows the Mongols being expelled from China, the galleon trade ships opening a passage to the East, Crusades as the foundation of European cultural imperialism, and Maori's erupting forth apocalyptically to reap an atavistic revenge. All these things are here - and more displayed in the playful free associative manner that runs through all of the pieces.